Sunday, August 9, 2026

Every Story Holds a Hand: Reading for Care and Belonging

I will be conducting a Reading for Care/Bibliotherapy workshop at the Philippine Readers and Writers Festival 2026. This workshop is for parents, teachers, librarians and professionals working with children. We will read children’s books and design engaging activities that foster belonging and empathy building.


Every Story Holds a Hand: Reading for Care and Belonging

5PM - 7PM Prologue Room

National Bookstore, Araneta City

Cubao, Quezon City




Saturday, August 8, 2026

Ahjumma Reviews: East Palace

Having rewatched East Palace, I realized how beautifully the romance between Gucheon and Saeng-gang was rendered. Their love story was simmering, bubbling on the surface and sometimes flowing through the undercurrent of a raging river.

While they grappled and fought forces bigger than themselves, in the spirit world and back in their reality, their romance was like smoke from an eternal incense, wafting through and about them.

It was there, even when everything else seemed to demand their attention. Their love didn’t need to be proclaimed. It was in the spaces between the battles, the conflicts, the choices, the moments when they were simply there with and for each other. And this is what makes it so delicious.

The romance is not separate from the larger story. It moves with it. It is simmering in their exchange of glances and looking at each other a few seconds longer. Nam Joohyuk’s eyes speak volumes: yearning, care, the need to protect. And Roh Yoonseo takes it all in by staring back fiercely but with tenderness. How many times did I wish they must kiss already?!



But no physical intimacy can outdo nor trump down this connection. The restraint is the romance. Sometimes bubbling to the surface. Sometimes almost disappearing beneath the raging river of everything they have to face. It never really goes away.

That kind of romance gets me. And on a rewatch, when you already know where their story is going, you notice the undercurrents even more.

Delicious. Absolutely delicious.

In the end, as Gucheon and Saeng-gang walk away from the palace, I was wishing for a second season.




Friday, August 7, 2026

When Seoul Surprises: What Kimbap Taught Me About Sticking Together

One of the first things I wanted to try after returning home from Korea was how to make kimbap. We learned how to make one at the Seaweed Museum in Goyang. It wasn’t because I suddenly wanted to become a Korean cook. It was because kimbap had become part of our days in Seoul. We bought it from convenience stores before long bus rides. We packed it for an afternoon at the beach. It was simple, filling, and somehow always satisfying.

So ARMY Daughter and I decided to make tuna kimbap together. For her, it is a survival meal on the go. For me, it was a way to remember the cross-cultural experience having taught by a Pinay guide and invigilator at the Seaweed museum. It is something I want to share with friends at work.

As we spread the rice across the sheet of seaweed, I hesitated. I was afraid of putting too much. ARMY Daughter smiled and said,

“Put enough rice on the seaweed. It holds the rest of the ingredients together.”

I paused. Of course. The seaweed protects. The rice holds everything together. Without enough rice, the filling falls apart.

As we rolled the kimbap, I couldn’t help thinking about how rice has always been more than food across Asia. Whether it is served at breakfast, lunch, dinner, or even dessert, rice gathers families around a table. It accompanies celebrations and ordinary weekdays alike. It is humble, familiar, and often unnoticed precisely because it is always there.

This is the metaphor I keep.

ARMY is much the same, when I think about it.

We are wonderfully different. We come from different countries, generations, professions, and life stories. Some of us found BTS through Dynamite. Others have been here since No More Dream. We carry different experiences, different perspectives, and different seasons of life.

Yet something holds us together because we choose, over and over again, to return to what first brought us here: seven artists whose music taught us to listen more carefully, love more deeply, and become better people. Like rice in kimbap, it is often the quiet things that hold a community together.

Kindness. Respect. Generosity. Patience. Openness. The willingness to make room for one another.

Sometimes the most ordinary things become the memories we carry home. Kimbap wasn’t just a quick meal during our trip to Seoul. It became a reminder that joy often arrives simply and with humility, wrapped in seaweed and shared with people you love.


Looking back now, I realize that travel isn’t only about the places we visit. It’s about the stories we continue to tell long after we’ve returned home. Every time I make kimbap now, I think of ARMY Daughter’s simple reminder.

“Put enough rice on the seaweed.”

Communities are built the same way. Not by making ourselves the center of the story, but by becoming what quietly holds everyone else together.

Apobangpo! Purple and true! 💜

#BTSFESTA2026 #BTSArirang #koreanfood #seoultravel

Wednesday, August 5, 2026

AI Framework: AI Citizenship and Literacy

One of the things I appreciate about working in an IB school is that we are encouraged not only to adopt new technologies, but to ask better questions about them.



This AI Citizenship Framework reminds us that AI learning is more than mastering prompts or discovering new tools. It is a progression. From recognizing AI around us, to understanding it, using it critically, creating with it, and ultimately contributing to society through responsible stewardship.

I especially like that ethical thinking is not the destination but the foundation of every stage.


In the library, this reminds me that our role is no longer simply to teach students how to find information. We also help them question, evaluate, create, and act responsibly in an AI-enabled world.

Thank you, Zakir Hossain, for developing and sharing this framework. It offers a valuable language for conversations about AI in schools.

Saturday, August 1, 2026

New Children's Book: Talia Says I'm Sorry


New children's book! Cover reveal of "Talia Says I'm Sorry" 💜

As a children's book writer, I have always believed that stories can teach children how to be brave, kind, and accountable. Sometimes, they also heal the adults who write them. Sometimes we write the ending we wished life had offered, not to erase the past, but to imagine the world as it could be.

Kahit sa kathang isip, nag-sorry ka sa akin.

Maraming salamat, Lampara Books sa liwanag na handog ay paghilom.

Thursday, July 23, 2026

Pahina Hinahon: Every story and every illustration is an act of hope

Award winning children’s author, Irene Sarmiento delivered the keynote at yesterday’s awarding of the Salanga and Alcala Prizes. A ceremony celebrating the 43rd National Children’s Book Day, with the theme, Pahina Hinahon.

I have three take aways.

First, Filipino writers no longer write for Filipino children. We write for children. Period. Good stories cross borders because childhood itself is universal. It is filled with wonder, questions, fears, laughter, and hope.

Second, a writer who reads the works of fellow authors and finds the child within their pages is both humble and wise. Children’s literature is not a competition; it is a conversation that grows richer when we read generously and celebrate one another’s stories.

 Genaro Ruiz Gojo Cruz winner of this year’s Salanga Prize for his story, Tinamaan Ako ng Galing, even recognized this by mentioning writers whose books he read and learned from.

And finally, her curated list of children’s books was, to me, a reader’s joy and a librarian’s delight. It was a reminder that the best way to become a better writer is to remain an eager reader.

As I watched this year’s Salanga and Alcala awardees receive their recognition, I found myself thinking that every story and every illustration is an act of hope. In a world that often feels fractured, children’s books continue to imagine kinder futures, nurture empathy, and remind us that peace and justice are values worth passing on to the next generation.

Congratulations to all the winners. Thank you for giving children and all of us stories that help us become more fully human.

Pahina Hinahon!

Tuesday, July 21, 2026

Pahina Hinahon: When Peace and Justice Remain Ideals Worth Fighting For

Today’s awarding of the PBBY-Salanga and PBBY-Alcala Prizes brings to mind the challenges of creating children’s books in a time of chaos, conflict, and uncertainty, when peace and justice remain ideals worth fighting for.

What stories do we tell children when the world feels fractured? How do we write hope without ignoring suffering? How do we nurture empathy without looking away from injustice?



Perhaps this is why children’s literature matters more than ever. Every story we write, illustrate, publish, recommend, and share becomes an act of faith in the kind of world we want children to inherit. Stories remind us that kindness is not weakness, courage often begins with ordinary people, and even in the darkest moments, compassion can light the way.

Congratulations to this year’s PBBY-Salanga and PBBY-Alcala awardees. Thank you for continuing the work of imagining better futures for Filipino children: one story, one illustration, and one young reader at a time.

May we never stop believing that books can help raise a generation that chooses peace over violence, justice over indifference, and hope over despair.


 

Sunday, July 19, 2026

When Seoul Surprises: Who’s the King? Who’s the Boss?

On our last day in Korea, we traveled to MBC Dae Jang Geum Park in Yongin, home to one of South Korea’s largest historical drama sets. It was there were my favorite Kdramas were filmed, Jewel in the Palace, Scarlet Heart Ryo and The King’s Affection. As ARMY, it was extra special because it was where Min Yoongi filmed the music video for Daechwita. Standing inside Injeongjeon Hall, the throne room where the music video was filmed, was awe inspiring.

The palace sits on top of a hill beside a mountain with the view of earth and sky. As much as the palace grounds and surrounding efifices recreate Joseon era Korea, the terrain was perfect for it. I was truly impressed at how art and culture is being managed and restored. And to think that we didn’t pay any entrance fee, it was really a treat.

The palace was magnificent. The painted folding screens. The lattice windows. The long stone courtyards. I walked from throne room to where Agust D moved between king and rebel. Daechwita kept playing in my mind and I can’t help but recognize once again this masterpiece of an anthem.



The other night, I started watching East Palace. Within minutes, I paused. The throne room. The palace doors. The courtyard. It all looked familiar. The same spaces where Agust D once became a king in Daechwita had become the royal palace of another story.



It made me smile. Korea has surprised me once again.

#KdramaIsLife #TheEastPalace #BTS_ARIRANG #BangtanPilgrimage2026 #soueltravel


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