It was Kuya who found Arirang, a sculpture by Park Chan Gap in the courtyard of the Gyeongnam Art Museum.
Pauwi na kami
noon, pero ang ganda kasi ng sunset kaya nagtagal kami. Gyeongnam Art
Museum sits on top of a hill, with a mountain rising behind it. Emerald green
in broad daylight, it had turned a deep blue in the fading light.
ARMY Daughter and I were seated beneath pine trees beside a
bed of daisies when Kuya returned from wandering around the museum grounds.
“May nakita akong Arirang,” he said.
Curious, I asked him to take me there. At ayun na nga.
Rendered in black and white granite, the sculpture stood
before us like a memorial to love lost and grief that refuses to leave. Yet it
was never defeated by sorrow. It remained dignified, austere, and quietly
resolute.
At its center, the white granite seemed to cradle something
I could not quite name. A bell. A hill. A mountain. An absence.
Tinitigan ko lang ang sculpture na may pagkamangha. I did
not dare touch it to find out. To do so felt almost sacrilegious. So Kuya and I
simply stood there.
In that silence, I thought of Ouie and Mama, who had both
passed on, and of Papa, whose dementia has slowly carried him to a place where
he no longer remembers who I am. I thought, too, of friendships that quietly
faded and communities I once believed would endure. May kirot pa din ng slight,
but, somewhere beneath those memories, a song of resolve began to hum.
Perhaps that is why I lingered before Arirang longer than I expected.
The sculpture did not ask me to explain grief or overcome
it. It simply held space for contradictions: black and white, weight and
openness, permanence and emptiness.
Standing beside my eldest child, I remembered the many times
we had stood together as seasons changed.
What do we carry from one season into the next? What do we
leave behind?
Memory, I realized, is a curious inheritance. Some memories
are taken from us against our will. Others return unexpectedly, summoned by
stone, by silence, or by the simple act of standing still with someone we love.
I have spent much of the past few years caring for endings
and tending the wounds of missing years.
Yet there I was in Changwon, South Korea, during FESTA 2026.
While thousands gathered in Busan to celebrate music and joy, I found myself
listening to another kind of song beside my eldest—the music teacher in our
family.
Perhaps Arirang is not only about longing or separation.
Perhaps it is also about remaining. Remaining faithful to memory, open to
beauty, present for those who still walk beside us, even as we grieve those who
no longer can.
#heartandseoul2026 #BTS_ARIRANG #Festa2026
#bangtanpilgrimage2026 #travelog_southkorea #Namjooning













