In Stray Cats (Ateneo De Manila University Press, 2023) Irene Sarmiento’s writing is brave and unyielding. By bringing the issue of the seen and the unseen into a YA novel set in the Philippines, populated by Filipino characters who must navigate the thin, unsettling line between fantasy and reality, she has woven threads of stories into a brilliant twine.Stray Cats opens many possibilities for discussion. Where can friendship, care, and curiosity lead us when they become prompts to understand a world bigger than our own? What do we do with an awakening from a sheltered life? How do we negotiate a reality that is radically different from our own? What happens when we discover that the real monsters are not the ones we have heard about in our folk stories, but the ones created by human beings? And why is growing up so painful?
For me, this is what makes the novel’s fantasy so powerful. Sarmiento does not use fantasy to escape reality. She uses fantasy to make reality harder to ignore.
The tikbalang, kapre, and other creatures of Philippine folklore invite us into a world that feels strange and magical, but as Elisa moves deeper into that world, the difference between the fantastic and the real begins to blur. The creatures become a way of seeing what might otherwise remain unseen: the inequalities, vulnerabilities, violence, and suffering that exist alongside the ordinary lives we inhabit.
Stray Cats becomes a story not only about finding someone who is missing, but about learning to see. It is there where the strands of the twine come together: friendship leads to care; care leads to curiosity; curiosity leads to encounter; encounter leads to awakening; and awakening demands a response.
Growing up, then, is painful because it means discovering that the world is not the world we thought it was. Realizing that once we have seen it, we cannot simply become unseen again.


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