What began as an ARMY Glow Up project in 2022 has become a habit of meditation. I turn to cyanotype printing on days when I’m beat, anxious or unwell. And that’s what I did.
Thursday, September 17, 2026
Bangtan Hermana Notes: Little Pockets of Light
Wednesday, July 15, 2026
When Seoul Surprises: What We Learn From Namjoon’s Continuing Namjooning
The ginkgo and birch trees that line the streets of Seoul has always fascinated me. I can’t think of a better word to describe the mood and the vibe. Basta, they’re romantic. Trees are romantic.
So, I plucked a couple of leaves from a ginkgo tree in front
of the middle school where Min Yoongi studied and, in Hongdae, leaves from a
birch tree. I carefully tucked them inside my journal as precious keepsakes but
also as subjects for my cyanotype prints.
A few days ago, I took advantage of the afternoon sun in our
yard and began printing. We were on a very tight budget in South Korea, so I
thought of crafting something that would journey from there to here and back
again. The more I read about these trees, the more I understood why they
quietly stayed with me.
The ginkgo is one of East Asia’s most enduring symbols.
Having survived for millions of years, it is often called a
“living fossil.” Across Korea, China, and Japan, it represents resilience,
longevity, hope, and quiet endurance. Ginkgo trees stand beside temples,
schools, and palaces, witnessing generations come and go. They remind us that
strength is not always loud. Sometimes, it simply means remaining rooted while
the seasons change around us.
The birch tells a different story.
Its pale bark has long symbolized renewal, new beginnings,
and simplicity. Even after long winters, birches are among the first trees to
suggest that spring is coming. There is something quietly optimistic about
them.
Together, these two trees seemed to tell the story of our
journey at Festa 2026. One reminds me to endure. The other reminds me to begin
again. That is why I could not simply leave their leaves behind on the streets
of Seoul. Instead, they came home with me.
Under the Philippine sun, they became cyanotype prints. In a
few days, I will frame them as pasalubong for my ARMY friends and Kdrama Titas.
These are my souvenirs made from leaves, sunlight, water, paper, and time.
Perhaps that is what the best pasalubong has always been. It is not the price
tag, but the thought that someone traveled through a place, remembered you, and
returned carrying a story worth sharing.
As I looked at each finished print, I realized they were no
longer simply leaves from Korea. They
had become conversations between Seoul and home. Between Namjoon’s way of
noticing the world and my own.
For the longest time, Namjooning for the fandom meant
visiting museums, bookstores, parks, and cafés because Namjoon had once been
there. I think it means something much more.
It is learning to notice. To slow down enough for ordinary things to reveal themselves. To understand that beauty is not something we consume but something we learn to pay attention to.
A fallen leaf. A neighborhood tree. An afternoon walk. The
warmth of the sun while making a cyanotype print. A simple gift made by hand.
Namjooning is not about collecting places. It is about
allowing places to reshape the way we see ourselves and the world. As a
librarian, I have always believed that stories live inside books.
But I also believe that stories live inside leaves, trees,
sunlight, and the hands that choose to create. That is why Namjooning never
really ends.
Allow a place to tell its story and listen with intention.
Bring its story with you and let it inspire you to create something new.
Apobangpo. Purple and true. 💜
Tuesday, November 11, 2025
Poetry: it only takes two colors
it only takes two colors, blue and yellowthough chemistry has a name for them i keep it simple mix them in a small white dish the paper awaits, 200 gsm of virginal capacity i wash the colors, looking murky green
Friday, June 27, 2025
Sunday, November 10, 2024
Advent, BTS and Cyanotype Printing
Since then, I would make prints as a mental health break.
Keeping a few in a portfolio that may lend to a new project in the future. When
I received an invitation from friends in Magis Deo to share something for our
kids, teens and young adults in the community, I immediately said yes.
I thought about conducting a Cyanotype printing workshop for
our Magis Deo Youth. The idea made me happy. I looked forward to the activity
during an exhausting but productive week in school. I was going to share a
skill that began as an ARMY Glow Up 2025 Goal under AGU Recreation and proud
that I learned it from a former student. What’s more, I was excited to connect
Cyanotype printing with the message of Advent.
Advent is the season of waiting. Advent is the season of
light breaking through the shadows.
Advent is a time when we are called to recognize and accept
change.
Advent is an opportunity for transformation.
Since Advent is a season of waiting and preparing for light
to break into the darkness, Cyanotype printing follows a similar process that
involves anticipation, patience, change and transformation. Such abstract
ideals, beliefs and concepts may be too far off to be fully understood by
children — even adults. To enrich our context of Advent as we all prepare for
this season of hope in chaotic and confusing times, an art activity such as
Cyanotype printing may prove meaninfgul for the child and the child at heart.
Our Magis Deo Youth participants in this morning’s Cyanotype
Printing activity brought home their hand made cyanotype greeting cards and
“photographs”. Glad and grateful to learn something new as well as making art
that restonates with the anticipation and joy of Christ’s birth.
Tuesday, January 16, 2024
Griffins Learn Together: Cyanotype Printing with Enzo Abalayan
Last Friday, my former student, Enzo Abalayan was on campus teaching me cyanotype printing. We are preparing for the yearly Alternative Class Days. Part of it are test runs and walk throughs of processes and activities which informs us of logistics, budgetary and instructional issues and decisions. In return, I gave Enzo some ideas and suggestions for him to draft the proposal.
I didn't expect it would be easy and simply amazing. Enzo was patient and entertained all my questions. At one point he said that he didn't see himself working with chemicals since Chem was a tough subject in the DP. Back in the Academy, he struggled through his science classes but, thanks to the arts. It became an avenue for overcoming challenges and self-doubt.
Ouie, this one is dedicated to you!







