Monday, May 19, 2025

The Lighthouse Diary # 74: Summer Reading Program

The Beacon Academy proudly announces the launch of the Sulong sa PagBAbasa! Summer Reading Program 202, themed "Empowering Young Minds Through Stories and Truths." Open to all academy members, this enriching 4-week program, led by Teacher Librarian Zarah C. Gagatiga and Library Assistant Flynn Felix, aims to foster a lifelong love for reading, encourage critical thinking, strengthen reading stamina, and build a community of reflective, articulate young readers.


Tailored for different grade levels, students in Grades 7–8 will "Explore & Imagine" with books like Wonder by R.J. Palacio, while Grades 9–10 will "Reflect & Relate" with texts like Patron Saints of Nothing by Randy Ribay, and Grades 11–12 will "Critique & Create" through works such as Dekada '70 by Lualhati Bautista 


Each week features a blend of fiction and non-fiction readings, guided reflections, and creative outputs, culminating in projects like book talks, zine festivals, or academic/study action plans. Enhanced by Reading Logs and social media engagement with hashtags like #SulongPagBAsa2025 and #GriffinsRead, this program promises an inspiring summer of literary exploration. 


Wednesday, May 14, 2025

The Lack of Joy in Reading

We’re all smiles on top of the assignment that Teacher Vic tasked us to do. And he has the biggest smile— confident that we can do it with joy, ease and competence. We are Team CRAIN! 



Literacy teaching and learning is constantly changing and we’re here to think through, together; to share the challenges and burdens of educational leadership; to walk the line between tried-and-tested methods and bold, innovative practices that respond to the real and present crisis of declining literacy. We walk the line with courage and care, always keeping our learners at the center. 

When this happens, facing hard questions about literacy is easier to bear and unpack. This one, for example: If a student does not find/derive joy in reading, should he/she undergo reading intervention? 


The question is layered. It touches on educational philosophy, psychological well-being, literacy development, and the broader purpose of reading. For one, there is the assumption that joy in reading is a desirable trait and an expected outcome. It is perceived as a necessary part of learning. But we know that it is not often the case. Learning, reading to be specific, is tough. Even confusing and frustrating. So, is the lack of joy in reading a valid reason for a student to receive intervention? 

Not yet, I think. But it merits an assessment and diagnostic. A caveat, though, to ease the approach in pathologizing the issue. Alongside understanding the reason for the “unjoy” in reading, it is just as important to offer opportunities where in a student is allowed to explore, make mistakes and naturally grow into literacy. Sometimes, the issue is not entirely the student. It can be many factors: the system of education, the materials and resources provided, the pressure to do well. I think the goal is to meet a student where he/she/they is. And, as a reading interventionist, teacher-librarian and bibliotherapist, I need to explore and know how my students view reading. 

I ask: what does reading look like for them beyond standardized tests and rigid expectations?

Tuesday, May 13, 2025

Book Review: Alpabeto ng Kalikasan

Sunday, May 11, 2025

Mom's Day at MomExpo

Wednesday, May 7, 2025

Perspective Taking on the HOTS Concert Experience: A reflection from the line where we stood.

I’ve been thinking about grace a lot lately, in the context of fangirling in general and in light of Hobi’s Hope on the Stage concert tour; how people describe it, claim it, and carry it.

After J-Hope’s HOTS concert, I saw fans say they were “blessed by the universe,” “sumakses”, Lady Luck smiled at them, and that it was “grace” that led them to be there. And truly, witnessing a moment like that, to breathe the same air as someone you’ve loved and followed through years of growth, pain, the uncertainty of military service and silence, is a blessing. I won’t deny that.
But it got me thinking about grace that isn’t just about being chosen. It’s also about how we show up and who we show up for.


Many of us stood in long, glitching lines. We clicked and waited. We wept after losing tickets we fought for honestly. We faced scams and scalpers, unfair systems, and the silence of those in power and with leadership positions in fanbases who could’ve helped, but didn’t. Still, we stayed. We cheered from the sidelines. We held the light for Team Loob and Team Labas.
So when joy is posted like a trophy, when it flexes without honoring the ones still grieving missed chances, it doesn’t feel like grace. It feels like erasure and exclusion.
And maybe that’s what hurts most: that while ARMYs were expectant, hoping their peers, leaders and friends in the fanbases would carry the banner of loyalty through BTS’ enlistment, some chose to stay quiet. Then came back only when the music and lights returned, claiming fate and favor. As if the hard part never happened.
This isn’t to shame joy. Joy is sacred. But real joy remembers. It honors the community that held the silence, the ones who kept the faith, and the ones who never stopped loving even when there was nothing to gain.
So no, I’m not bitter. I’m just present. I see the gaps. I remember the waiting.
And I’m writing this not to take anyone’s happiness away, but to ask: can we hold joy and accountability in the same hand?
Because I believe grace isn’t just about being there. It’s about how you get there. And what you do with the light once it’s yours.

With love and fire,
Tita Zee 💜

Tuesday, May 6, 2025

Reading Halfway: Wayang Alimagnum

Dumating last week ang press kit ng Wayang Alimagnum, ang bagong aklat ni Joel Jacob Donato Ching. Published ito ng Adarna House at si Ian Sta. Maria ang nag-drawing. Ang daming freebies! 


Nasa Chapter 11 pa lang ako pero, aliw na aliw na ako kay Waya pati na sa mga ali-mech-sag sa paligsahan ng Lakapati. Na-imagine ko ang ingay, tunog at hitsura ng mga ito habang nagtatrabaho sa pitak ng palayan. Sana magkaroon ng animated version kase, visually worthy na makita ang mga mechs bilang karakter na extension ng mga natatanging tauhan. 

Nagustuhan ko din ang relayson ni Waya sa madrasta niya. Hindi ma-drama! How refreshing! Bukod dito, natakam ako sa pagpapakilala at pag-describe ng mga pagkain. Oo, @chimeracupkeyk, naglaway ako sa nilupak!

Higit sa lahat, hindi ko bet ang steampunk. But this one is an exception.

Tatapusin ko muna ang aklat para mas ma-articulate ko kung bakit.

Book Review: “Coming of Age in Second Life” (Princeton University Press, 2008)

Thursday, May 1, 2025

The Lighthouse Diary #73: Exploratory Essay: Working on Feedback & Creating a Research Pathway

This is an update on the Exploratory Essay I wrote as model text for our grade 11 students. Not only are we modeling writing as technique and strategy to teach and learn, we are also simulating the process involved in academic writing. To read Part 1 and Part 2 click the links.

 I asked the help of my co-teacher, who read my essay and then, she gave feedback. 

Here is what I did with her feedback. This text will become a teaching and learning material for our grade 11s who are navigating the academic writing process for the first time. 

Title of Exploratory Essay: Understanding Intertextuality as Literary Theory and Strategy in Selected Songs and Music Videos of BTS

Context: After writing my exploratory essay on songs of BTS and Intertextuality, I asked Ms. Locsin to read it, mark it using the rubric/criteria and give feedback. Here is the feedback which is copy-pasted from my email.

Hi Zarah,

An A on all criteria! My only comment is that from your discussion of the examples, it seems that you have the answers to the questions you ask - so medyo 'luto' na yung research findings.

How do we encourage our students to express authentic questions that are answerable through research? How do we get them to envision a process and lay out a possible pathway for exploration without being sure of the outcomes? I believe kasi that if the question is genuine, authentic, and fairly specific, it will be harder for AI to answer.

(So in the case of this paper, would that question instead be - is the use of intertextuality a modus of 'borrowing' themes and ideas and therefore merely recursive, using it as a way of ensuring some kind of timelessness - rather than a creation of a new? and then that would require a definition of new).

 What I gather from Ms. Locsin’s feedback

My essay aims to justify and confirm, not inquire and inspire me to ask genuine questions. Although I have a research question, it does not allow me to think beyond what I know when research is all about risk taking and accommodating room for complex and open-ended thinking. By doing the later, my skills in identifying and utilizing sources of different kinds and variety will be applied and my patience stretched. An opportunity to strengthen my character!

At this point of exploring my topic and what it consists, its parts and interdisciplinary issues, I am to discover things—old and new, rather than proving and justifying what already is in existence. In this case, it is BTS’ use of intertextuality in their contents and music. I am prompted towards writing about intertextuality as innovation and transformation vs. a mere resurgence of old tricks by the literary masters to pay homage.

What do I do with this feedback/information/knowledge?

My current research question is strong but it leans to confirm and conform rather than inquire and discover.

How does BTS use intertextuality as both a literary theory and creative strategy in their songs and music videos to challenge cultural norms, explore identity, and engage in global discourse?

Through Ms. Locsin’s feedback, I am revising my research question to:

Does BTS’ use of intertextuality reflect a form of creative originality or a technique of borrowing from sources ensuring familiarity, continuity and the timelessness of literature?  

My paragraph that holds my research question is written this way:

BTS makes use of Intertextuality as a theory and creative tool to examine themes of justice, freedom and identity. By deriving materials and borrowing texts from literature, folklore and other forms of media, BTS’ songs and music videos are powerful storytelling strategies that challenge socio-cultural norms, promote artistic expression and provide the connection between idols and fans deeply. Given these statements, the working research question for this academic paper is: how does BTS use intertextuality as both a literary theory and creative strategy in their songs and music videos to challenge cultural norms, explore identity, and engage in global discourse?

This is now the revised paragraph:

BTS makes use of Intertextuality as a theory and creative tool to examine themes of justice, freedom and identity. By deriving materials and borrowing texts from literature, folklore and other forms of media, BTS’ songs and music videos are powerful storytelling strategies that challenge socio-cultural norms, promote artistic expression and provide the connection between idols and fans deeply. It does appear that BTS’ is creating something new. What remains to be explored is whether the use of intertextuality is a strategy that fosters transformation and innovation or a means to establish symbolic permanence of the arts and the humanities. The working research question of this paper is: does BTS’ use of intertextuality reflect a form of creative originality or a technique of borrowing from sources ensuring familiarity, continuity and the timelessness of literature? Given this research question, I will examine the source texts namely Snowpiercer, The Ones Who Walked Away from Omelas and Demian; annotate fan and audience analysis of Spring Day and Blood, Sweat and Tears; and analyze essays, articles and academic papers that discuss and evaluate contemporary pop culture storytelling to account what is defined as “new” or “novel”.

My next steps is to report to Ms. Locsin my progress with a timeline showing my working outline and references. This is a task I will bring with me in the summer. 😊

 Ms. Zee

05.01.2025



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