A week ago, at about this time, my grown-up children and I were wandering around Gyeongnam Art Museum in Changwon. It was there that Kuya found “Arirang” by Park Chan Gap. It was there, too, that we discovered another surprise: Picasso was not only a painter but also a potter. His ceramics were on display: playful, curious, and wonderfully human.
The universe truly conspired. I discovered this not in Spain
or France, but in Changwon, a port city in the Gyeongsang Province of South
Korea.
Looking back now, I realize that this was my kind of BTS
encounter.
There is the concert stadium or through VIP access, of
course, but there exist the quiet places that nurture artists: museums,
sculptures, clay, mountains, streams and conversations that linger long after
the galleries have closed.
This is what Namjooning has come to mean for me. To seek not
only the music BTS creates, but also the art, culture, and ways of seeing that
continue to shape our OT7.
And then Picasso humorously surprised me.
His ceramics are not simply vessels. They are drawings transformed into clay, printmaker’s lines becoming texture and form. He carried what he already knew from painting into a new medium and allowed it to become something entirely different.
I left the gallery thinking about my own pottery.
I found myself imagining plates that could become prints,
bowls etched with stories, and clay carrying the same curiosity that first
brought me to museums and books.
This is one of the greatest gift of this Bangtan pilgrimage.
I am reaping memories to keep, but also opening my heart to new work waiting to
be made. And maybe that is why this Festa 2026 journey still feels unfinished.
Because art, much like BTS, keeps inviting us to look again,
make again, and begin again.
Apobangpo! Purple and true!
#Namjooning #travelog_southkorea #festa2026
#bangtanpilgrimage2026 #BTS_ARIRANG


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