I remember Liza saying that she keeps in mind the audience she is illustrating for, in this case, the children who will read the books. It is innate in children to imagine, to play and to wonder. Unrealistic drawings are therefore allowed in children's books.
A few days after, on Facebook -- because everyone involved in the project was still in cloud nine, Liza replied to Joanna Nicolas-Na's photo of her where she was replying to Madame DepEd's question. This was her reply:
May mga akda na mahalaga maging acurate at realistic ang pag guhit. Pero hindi mali ang hindi realistic na drawing. May mga kuwento na binabagayan ng ibang estilo. Minsan mas epektibo nitong naikukuwento ang kuwento. Mahalaga din ma-expose ang mga bata sa iba't ibang klaseng guhit o art. This is how they discover what they like and don't like, and develop their own taste.
There are works that need accurate and realistic drawings and interpretations. But it is not wrong to make unrealistic drawings. There are stories that need to be drawn and rendered using a style of art that is different from the conventional. Most often, this is more effective in the visual storytelling or narrative flow. It is also important for children to be exposed to different art forms (through books). This is how they discover what they like and don't like, and develop their own taste.Many replied to her. It made for an interesting discussion.
This is my take. A picture book is an art form. As a form of art, it follows a function. The purpose of a picture book is for children to enjoy it. For aesthetics. For beauty. For all that is good in this world. For a child who cannot visit a museum or an art gallery, the picture book is an art experience. And sometimes, a picture book can be more than a gallery or a room full of paintings. As Eric Ode said in his essay, Why Picture Books Are Important "Picture book illustration styles run the gamut, representing as much diversity as the art found in any national gallery or museum. But whether elaborately detailed and richly colored or spare with a bare-bones pallet, a picture book’s illustrations want to be explored and enjoyed up-close and with others. They are waiting to be pored over, puzzled over, and pointed at, page turn by page turn."
So, as an author, I like it that Tere, our character in Masaya Maging Ako has yellow skin. It is the happy kind of yellow, like sunlight in the early morning. I do not mind at all if her limbs and legs are long and curving. She loves movement and the long and curved lines suggest grace. I love the purplish mauve color of our book's cover because this implies power and daring. Tere is a kid who was bullied. It was the quiet and sneaky kind of verbal bullying. Jamie Bauza's illustrations explicitly showed that aspect of bullying through size, shape and color. Furthermore, she allowed Tere to shine in her own unique way.
See what unrealistic drawings can do?
Now, I wonder what kids will say or how kids will respond to our book. That is another story!
