I was in Makati for a follow up checkup yesterday and there was a window of opportunity to swing by the Ayala Museum for a few hours of #Namjooning. I got a 50% discount using my faculty ID so, I took my time enjoying the Ceramic exhibit.
Wednesday, July 17, 2024
Namjooning at the Ayala Museum
I was in Makati for a follow up checkup yesterday and there was a window of opportunity to swing by the Ayala Museum for a few hours of #Namjooning. I got a 50% discount using my faculty ID so, I took my time enjoying the Ceramic exhibit.
Tuesday, July 16, 2024
Happy 41st National Children's Book Day!
We are continuously strengthening the local children’s book industry and reaching global audiences in measured steps.
I’m glad to learn that writer friends are bound for Frankfurt; some have inked publication with international publishers; and new talents emerge and surface as winners in the Salanga and Alcala Prizes. There is a steady output of children’s books published locally and many are indie publishers in the mother tongue. Time was too short to deeply reconnect with friends but the quick catch up was rejuvenating.
Happy 41st National Children’s Book Day!
Monday, July 15, 2024
The Lighthouse Diary #54: The Beacon Academy Library Fundamentals (1 of 2)
Saturday, July 6, 2024
Thursday, July 4, 2024
Wrapping Up the 42nd National Conference of the Philippine Association of School Librarians
Finally!
We were able to stage and execute an on-site National Conference of school librarians in Baguio City! I am grateful to be a part of the Working Committee of the PASLI - Philippine Association of School Librarians, Inc. for this year’s national conference. My involvement in PASLI Conferences in the past has always been as a guest resource speaker, but this time, as an elected officer, I had the honor to roll up my sleeves and labor with the team of dedicated and reliable PASLI Officers, in sickness and in health.
Wednesday, July 3, 2024
ARMY Month Day 3: Project Indigo
ARMY Month Day 3
Tuesday, July 2, 2024
Monday, July 1, 2024
ARMY Month Day 1: Young Forever
ARMY Month Day 1
I am letting go of this hand built ceramic plate hoping that the ARMY who will get it may find joy and comfort because, I was happy and content when I made it. I had a new set of underglazes I was excited to paint on the bone dry plate. It performed well in the kiln so the fire goddesses have blessed the work of my hands as well as the potter who glazed it.
It is a one of a kind design inspired by BTS’ Epilogue: Young Forever (The Most Beautiful Moment in Life: Young Forever May 2, 2016).
Jin sings:
Even when I fall and hurt myself
I endlessly run toward my dream
Fighting! Forever, we are young!
Sunday, June 30, 2024
Saturday, June 29, 2024
Thursday, June 27, 2024
Monday, June 24, 2024
Kuwentong Bangtan: When Kim Namjoon Went Nuts: A Review of Nuts, RPWP 2024
When the MV of Nuts dropped a few weeks ago, I and ARMYs in my circle speculated on this one person who hurt our Joonie. This is an ongoing question since he’s always bared his feelings of deep anger, regret and frustration. By default, I, like many ARMYs, couldn’t wait to pulverize the person in question. Back pedaling to Nuts, however, and watching Joon sing and move-dance about in a studio all by himself made me ask: Is he talking about and with himself?
Nuts is Kim Namjoon’s soliloquy making the song and the MV
highly appealing. Soliloquy as narrative device allows the character to connect
more emotionally and psychologically to the audience. The self-talk is an
exposition of prevailing themes in the story as well as the underlying
conflicts and the more obvious problems or issues at hand. The technique is a
delicious invitation to the character’s introspection of past actions leading
to decisions or possible consequences brought by the thinking process. This
metacognitive approach to storytelling engages audiences even more and for fans
like me, we become deeply invested in the artists that we stan.
Taking Nuts as a soliloquy and a reference to Hamlet’s, this
2nd track of Right Place Wrong Person, is Kim Namjoon’s madness in full
display, once again. The song lyrics references two genders. A She and a He.
Using Jung’s Map of the Soul as framework for this discussion, the former is
the Anima and the latter is the Kpop Idol Persona
These two stanzas show the conflict that drives Namjoon
insane as Anima and Persona clashes.
Verse 1
“She a pro rider… When it comes to love, she could be an all
nighter | Best gaslighter, no man could ever fight her.
I go mad, how can we do everything together?”
Verse 2
“He a pro rider… | Must be an A1 guider, always on that
fuckin’ Kakao talk | When it comes to money, he could be a damn fighter | Best
gaslighter, no woman could stop him.
I go nuts, I feel like a monster.”
The song closes out with two stanzas by the Anima and the Persona.
“Now lay back | You never been so high | Know you ‘fraid of heights | I will close your eyes”
“Now lay back | You never
been so high | Know you ‘fraid of heights | Don’t say a goodbye”
Words of caution. A caveat. A desire to rest and to take a
pause but it is not a goodbye. It is not the end because, later on, Namjoon
sings Come Back to Me to reassure himself and ARMY that he has integrated with
the Anima. The male Ego leaves the set of mazes intact and can confidently walk
along side its feminine power.
And there lies the courage and the intelligence of Kim
Namjoon. Blessed with a 148 IQ, his heightened awareness of his Self and the
world around him drives him “nuts”. Choosing music to channel and balance the
crazies that torment him all day and all night, he is able to create art that
is both luminous and illuminating.
I am really glad he picked up learning the saxophone while
on military service. Serenading Jin and playing the chorus of Dynamite are
manifestations of grace. Our Joonie is going to be fine.


.png)




